The soldering process may be accomplished in a wide variety of ways, but the four primary ingredients required will remain the same. They are; the base metal (or metal items being joined) a type of flux (or a method of cleaning and maintaining the surface to be soldered), the solder and a source of heat. It is important to match the soldering method and the equipment that will be used, to the soldering application that is being considered.
Base MetalThe base metal is the metal that is in contact with the solder and forms an intermediate alloy. There are many metals that will react willingly with solders to form a strong chemical and physical bond, while others can be very difficult, or even impossible to solder.
Flux
Flux is used to eliminate minor surface oxidation and to prevent further oxidation of the base metals surface during the heating process. Although there are many types of flux, each will include two basic parts, chemicals and solvents. The chemical includes the active portion, while the solvent is actually the carrying agent. It is the solvent that determines the cleaning method required to remove the remaining residue after soldering.
Solder
Solder is the alloy used to create the solvent action, which generates the bond between the base metals. The type and form of the solder is very important and must be determined by the individual application being performed, as well as the base metals and soldering method being employed.
Methods
There are several methods, as well as a wide variety of tools available to perform the task of soldering. Some of the current methods that are available include induction, conduction, ultrasonic, flame, dipping, resistance, oven and wave soldering. Some of these methods involve the use of small inexpensive hand tools, while others may require large and expensive machinery, equipment and tools. It is a good idea to become educated on the various methods and tools that are available, in order to insure that you are utilizing the best, safest, most efficient and economical means available for your specific soldering application.
Courtesy of American Beauty Tools
Tuesday, 12 January 2010
Saturday, 9 January 2010
Soldering vs. Welding
The metal joining process that is generally referred to as soldering (or soft soldering) requires temperatures between 183 to 445°C. The joining of metals at temperatures above 445°C (and below the melting point of the metals being joined) is more commonly referred to as brazing (or hard soldering). The actual melting and fusing of the metal items that are being joined together is considered welding. There are, of course overlapping situations that may occur when classifying a process.
The actual joining characteristics that take place are physically different in each of these processes. Soft solders attach to metals by what is referred to as a solvent action that takes place at relatively low temperatures. Hard solders, or brazing alloys contain metals that require higher temperatures to cause the solvent action to take place and fuse the alloy with the metal being joined. Because welding involves actually melting and fusing the surface of the metals that are being joined together, a filler, or fusible material is not always used.
Courtesy of American Beauty Tools
The actual joining characteristics that take place are physically different in each of these processes. Soft solders attach to metals by what is referred to as a solvent action that takes place at relatively low temperatures. Hard solders, or brazing alloys contain metals that require higher temperatures to cause the solvent action to take place and fuse the alloy with the metal being joined. Because welding involves actually melting and fusing the surface of the metals that are being joined together, a filler, or fusible material is not always used.
Courtesy of American Beauty Tools
Labels:
Soldering,
Stained Glass in Glasgow,
Verrier
Wednesday, 6 January 2010
Soldering - how it works
Soldering is a well known and widely used process where two or more metal items are joined together using a fusible alloy with a melting temperature that is lower than their own. The most commonly used solder is a fusible alloy consisting essentially of a tin and lead mixture.
The solder actually dissolves a small amount of the metal’s surface, at a temperature that is well below its melting point and joins with it. It is this solvent action of the solder alloy that causes it to fuse with and attach to the surface of the metal items being joined.
The solvent action that takes place, between the solder and the metal, makes the joint chemical (not just physical) in nature and causes the properties of the joint to differ from the original solder’s properties and from those of the surface of the metal items being joined. When metal parts are joined by solder, a metallic continuity is established as a result of the interfaces where the solder is bonded to the metallic surfaces.
Courtesy of American Beauty Tools
The solder actually dissolves a small amount of the metal’s surface, at a temperature that is well below its melting point and joins with it. It is this solvent action of the solder alloy that causes it to fuse with and attach to the surface of the metal items being joined.
The solvent action that takes place, between the solder and the metal, makes the joint chemical (not just physical) in nature and causes the properties of the joint to differ from the original solder’s properties and from those of the surface of the metal items being joined. When metal parts are joined by solder, a metallic continuity is established as a result of the interfaces where the solder is bonded to the metallic surfaces.
Courtesy of American Beauty Tools
Labels:
Soldering,
Stained Glass in Glasgow,
Verrier
Sunday, 3 January 2010
Maintenance of Soldering Bits -Periodic Cleaning
It is important to periodically clean the shank of the plug style bits as well as the inner surface of the element. This is done to keep the bit from seizing in the element and also to keep from building a layer of oxides and contaminates that would obstruct the transfer of heat from the element to the bit. After allowing the iron to completely cool the bit should be removed and the bit shank and inner walls of the element should be wiped clean with a mildly abrasive emery cloth or soft wire brush. This cleaning process should be done as often as needed, depending on the work environment, but not less than once a week.
Courtesy of American Beauty Tools
Other links to Soldering Iron Maintenance:
https://glasstips.blogspot.com/2019/11/soldering-iron-maintenance.html
https://glasstips.blogspot.com/2010/01/maintenance-of-soldering-bits-periodic.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-wiping-bit.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-tinning.html
Courtesy of American Beauty Tools
Other links to Soldering Iron Maintenance:
https://glasstips.blogspot.com/2019/11/soldering-iron-maintenance.html
https://glasstips.blogspot.com/2010/01/maintenance-of-soldering-bits-periodic.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-wiping-bit.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-tinning.html
Labels:
Soldering,
Stained Glass in Glasgow,
Tools,
Verrier
Wednesday, 30 December 2009
Soldering Bit Maintenance - Wiping the Bit
During use a bright, thin, but evenly tinned surface must be maintained on the working portion of the bit. Oxidation and contaminants must be continually removed from the bit surface to achieve maximum performance. This will help to ensure the proper transfer of heat from bit to work and will eliminate the possibility of impurities being transferred into the solder joint.
Between each solder application simply wipe the working area of the bit clean on a damp cellulose sponge to remove the dross and oxides that will accumulate and add small amounts of fresh solder to the bit as needed. A gentle wiping is all that is required and care must be taken not to over wipe the bit, because oxidation will occur on the surface quite rapidly if all of the solder has been removed. Once this oxidation occurs it becomes difficult, or even impossible for solder to wet to the bit. It then becomes necessary to properly clean and re-tin the bit in order to regain the appropriate wetting action required for adequate performance. When you have finished the soldering application, you should wipe any contaminates from the bits surface and add a small amount of fresh solder to it before allowing the iron to cool. This layer of solder ensures protection from oxidation of the bit between uses and will help to extend the bits working life.
Courtesy of American Beauty Tools
Other links to Soldering Iron Maintenance:
https://glasstips.blogspot.com/2019/11/soldering-iron-maintenance.html
https://glasstips.blogspot.com/2010/01/maintenance-of-soldering-bits-periodic.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-wiping-bit.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-tinning.html
Between each solder application simply wipe the working area of the bit clean on a damp cellulose sponge to remove the dross and oxides that will accumulate and add small amounts of fresh solder to the bit as needed. A gentle wiping is all that is required and care must be taken not to over wipe the bit, because oxidation will occur on the surface quite rapidly if all of the solder has been removed. Once this oxidation occurs it becomes difficult, or even impossible for solder to wet to the bit. It then becomes necessary to properly clean and re-tin the bit in order to regain the appropriate wetting action required for adequate performance. When you have finished the soldering application, you should wipe any contaminates from the bits surface and add a small amount of fresh solder to it before allowing the iron to cool. This layer of solder ensures protection from oxidation of the bit between uses and will help to extend the bits working life.
Courtesy of American Beauty Tools
Other links to Soldering Iron Maintenance:
https://glasstips.blogspot.com/2019/11/soldering-iron-maintenance.html
https://glasstips.blogspot.com/2010/01/maintenance-of-soldering-bits-periodic.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-wiping-bit.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-tinning.html
Labels:
Soldering,
Stained Glass in Glasgow,
Tools,
Verrier
Sunday, 27 December 2009
Soldering Bit Maintenance - Tinning
Introduction
Proper care and maintenance of your soldering iron bit involves tinning, wiping (and wetting) and also periodic cleaning of the bits shank. These actions are very important and quite simple to perform, but are often neglected. When performed properly they will not only ensure the longest possible working life for your soldering iron bits, but they will also have positive effects on the overall performance of your soldering iron.
TinningTinning may not be necessary if the bit you are using is new and arrives pre-tinned from the manufacturer, or has been used previously and been properly maintained. When a bit does need to be tinned (or re-tinned) it must be clean and free of any surface oxidation before it will accept any solder. Once the bit is properly tinned, care should be taken to prevent bit de-wetting by occasionally cleaning and adding small amounts of fresh solder, especially if the bit is being subjected to long periods of inactivity or idling.
If the bit to be tinned is un-plated copper it should be cleaned and dressed with a single cut, flat file. After filing the bit it should be heated in the iron. When the bit reaches the lowest temperature required to melt solder, a rosin core solder should be fed onto the bit. Do not allow the iron temperature to rise too high before applying the solder, because excess heat will cause the bit surface to re-oxidize and no longer accept the solder.
If the bit is plated it should never be filed, or heavily abraded. Care should be taken to ensure the plating is not damaged or removed, as this will shorten the working life of the bit dramatically. When pre-cleaning is necessary for plated bits, they should be cleaned with a mildly abrasive emery cloth and may require an acid flux to remove the oxides before tinning, or re-tinning.
Courtesy of American Beauty Tools
Other links to Soldering Iron Maintenance:
https://glasstips.blogspot.com/2019/11/soldering-iron-maintenance.html
https://glasstips.blogspot.com/2010/01/maintenance-of-soldering-bits-periodic.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-wiping-bit.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-tinning.html
Proper care and maintenance of your soldering iron bit involves tinning, wiping (and wetting) and also periodic cleaning of the bits shank. These actions are very important and quite simple to perform, but are often neglected. When performed properly they will not only ensure the longest possible working life for your soldering iron bits, but they will also have positive effects on the overall performance of your soldering iron.
TinningTinning may not be necessary if the bit you are using is new and arrives pre-tinned from the manufacturer, or has been used previously and been properly maintained. When a bit does need to be tinned (or re-tinned) it must be clean and free of any surface oxidation before it will accept any solder. Once the bit is properly tinned, care should be taken to prevent bit de-wetting by occasionally cleaning and adding small amounts of fresh solder, especially if the bit is being subjected to long periods of inactivity or idling.
If the bit to be tinned is un-plated copper it should be cleaned and dressed with a single cut, flat file. After filing the bit it should be heated in the iron. When the bit reaches the lowest temperature required to melt solder, a rosin core solder should be fed onto the bit. Do not allow the iron temperature to rise too high before applying the solder, because excess heat will cause the bit surface to re-oxidize and no longer accept the solder.
If the bit is plated it should never be filed, or heavily abraded. Care should be taken to ensure the plating is not damaged or removed, as this will shorten the working life of the bit dramatically. When pre-cleaning is necessary for plated bits, they should be cleaned with a mildly abrasive emery cloth and may require an acid flux to remove the oxides before tinning, or re-tinning.
Courtesy of American Beauty Tools
Other links to Soldering Iron Maintenance:
https://glasstips.blogspot.com/2019/11/soldering-iron-maintenance.html
https://glasstips.blogspot.com/2010/01/maintenance-of-soldering-bits-periodic.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-wiping-bit.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-tinning.html
Labels:
Soldering,
Stained Glass in Glasgow,
Tools,
Verrier
Wednesday, 23 December 2009
Soldering Bit Maintenance - Summary
If a bit has not been properly tinned, solder will not wet to it. Without solder on the bit heat transfer from the bit to the work surface may become extremely difficult and time consuming, or even impossible.
You must understand that proper wiping and continuous wetting is important and a lot easier than continually having to clean and re-tin the bit, especially at the risk of damage to the plated surface because of accidentally scratching, or over abrading it.
When you notice that an iron is not performing as well as it did when it was new you will find that poor thermal transfer from the element to the work is usually the cause. Improper care and maintenance and the lack of a periodic cleaning of the bits shank can cause a layer of oxides, which will inhibit the transfer of heat through the bit. Always ensure plug style bits are properly seated into the elements before heating the iron. If a bit is not inserted fully into the element there may be a gap behind the bit. This gap can cause a hot spot within the element causing a premature failure of the soldering iron.
Courtesy of American Beauty Tools
Other links to Soldering Iron Maintenance:
https://glasstips.blogspot.com/2019/11/soldering-iron-maintenance.html
https://glasstips.blogspot.com/2010/01/maintenance-of-soldering-bits-periodic.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-wiping-bit.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-tinning.html
You must understand that proper wiping and continuous wetting is important and a lot easier than continually having to clean and re-tin the bit, especially at the risk of damage to the plated surface because of accidentally scratching, or over abrading it.
When you notice that an iron is not performing as well as it did when it was new you will find that poor thermal transfer from the element to the work is usually the cause. Improper care and maintenance and the lack of a periodic cleaning of the bits shank can cause a layer of oxides, which will inhibit the transfer of heat through the bit. Always ensure plug style bits are properly seated into the elements before heating the iron. If a bit is not inserted fully into the element there may be a gap behind the bit. This gap can cause a hot spot within the element causing a premature failure of the soldering iron.
Courtesy of American Beauty Tools
Other links to Soldering Iron Maintenance:
https://glasstips.blogspot.com/2019/11/soldering-iron-maintenance.html
https://glasstips.blogspot.com/2010/01/maintenance-of-soldering-bits-periodic.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-wiping-bit.html
https://glasstips.blogspot.com/2009/12/soldering-bit-maintenance-tinning.html
Labels:
Soldering,
Stained Glass in Glasgow,
Tools,
Verrier
Sunday, 20 December 2009
Choosing the Soldering Bit
An important consideration, when choosing the most appropriate bit, is that thick, short bits will store more heat and deliver it more efficiently than long, narrow ones. This makes the standard chisel configuration the usual bit of choice. The chisel shaped bit is often used for joining flat seems together. The working edge of the chisel bit should be about the same width as (or slightly wider than) the seam that is being soldered.
Usually a solder connection is made in one to three seconds. If the connection takes longer than three seconds, you may need a larger bit, a higher wattage iron or a completely different type of soldering equipment altogether. It is a good idea to familiarize yourself with other soldering methods and equipment that are available in order to ensure that you are utilizing the best, safest, most efficient and economical means available to perform your soldering application.
Courtesy of American Beauty Tools
Usually a solder connection is made in one to three seconds. If the connection takes longer than three seconds, you may need a larger bit, a higher wattage iron or a completely different type of soldering equipment altogether. It is a good idea to familiarize yourself with other soldering methods and equipment that are available in order to ensure that you are utilizing the best, safest, most efficient and economical means available to perform your soldering application.
Courtesy of American Beauty Tools
Labels:
Soldering,
Stained Glass in Glasgow,
Tools,
Verrier
Thursday, 17 December 2009
Soldering Bits
Type
The bit type is determined by the soldering iron it is used on. There are screw type bits (bits that screw onto, or into the solder iron element), slip on bits that slip over the element and plug type bits that slide inside of the element. There are even bits that are a permanent part of a replaceable element/bit assembly. Regardless of the type of bits required it is always important to have them fully seated to the element and periodically cleaned, in order to maintain proper heat transfer from the element into the bit.
ConfigurationThe bit configuration to use should be determined by the intended application requirements. Some of the basic bit configurations available include ballpoint, conical, diamond (pyramid), chisel, and spade. You will find that there are usually a variety of styles, or modifications available, within each of these basic configuration families, to accommodate specific application requirements. Although less efficient, a more narrow configuration is sometimes required to obtain accessibility, or to achieve the desired results.
SizeThe bit size to use (regarding the working portion) should also be determined by the intended application requirements. The bit body, or shank must be matched to the iron it will be used with (always select a bit that was designed, or approved for the soldering iron you intend to use on the application being considered). As with bit configuration though, there are usually a variety of modified working diameters available within each family of standard bit sizes that are available. These modified bits are generally referred to as turned down bits, because the working area of the bit has been turned down to a smaller diameter than the body, or shank diameter. Turned down bits are not as efficient, but are sometimes required to solder in otherwise inaccessible areas.
Courtesy American Beauty Tools
The bit type is determined by the soldering iron it is used on. There are screw type bits (bits that screw onto, or into the solder iron element), slip on bits that slip over the element and plug type bits that slide inside of the element. There are even bits that are a permanent part of a replaceable element/bit assembly. Regardless of the type of bits required it is always important to have them fully seated to the element and periodically cleaned, in order to maintain proper heat transfer from the element into the bit.
ConfigurationThe bit configuration to use should be determined by the intended application requirements. Some of the basic bit configurations available include ballpoint, conical, diamond (pyramid), chisel, and spade. You will find that there are usually a variety of styles, or modifications available, within each of these basic configuration families, to accommodate specific application requirements. Although less efficient, a more narrow configuration is sometimes required to obtain accessibility, or to achieve the desired results.
SizeThe bit size to use (regarding the working portion) should also be determined by the intended application requirements. The bit body, or shank must be matched to the iron it will be used with (always select a bit that was designed, or approved for the soldering iron you intend to use on the application being considered). As with bit configuration though, there are usually a variety of modified working diameters available within each family of standard bit sizes that are available. These modified bits are generally referred to as turned down bits, because the working area of the bit has been turned down to a smaller diameter than the body, or shank diameter. Turned down bits are not as efficient, but are sometimes required to solder in otherwise inaccessible areas.
Courtesy American Beauty Tools
Labels:
Soldering,
Stained Glass in Glasgow,
Tools,
Verrier
Monday, 14 December 2009
Tack Soldering
Tack soldering is the placing of a small amount of solder on the foil to hold two or more pieces together, so the main soldering can be performed without disturbing any placing of the remaining pieces.
The advantage of tack soldering is it can allow you to completely eliminate framing. You can just hold two pieces together with one hand and spot a dab of solder to hold them together. You don't have to do this for all pieces - just enough of the outside pieces to hold the whole project together. Once you've tack soldered, everything will be held in place and you can just run the beads without further considering the placing of the pieces.
For free form shapes, tack soldering is always quicker. You may want to use nails or tacks to hold all the glass in place while you tack solder.
With big foil projects or ones that have to fit into a predetermined dimension, tack soldering ensures there is no growth through movement of the pieces.
It's a quick way to avoid having to fiddle with each piece to make sure each is exactly lined up before starting with the running of the beads.
The advantage of tack soldering is it can allow you to completely eliminate framing. You can just hold two pieces together with one hand and spot a dab of solder to hold them together. You don't have to do this for all pieces - just enough of the outside pieces to hold the whole project together. Once you've tack soldered, everything will be held in place and you can just run the beads without further considering the placing of the pieces.
For free form shapes, tack soldering is always quicker. You may want to use nails or tacks to hold all the glass in place while you tack solder.
With big foil projects or ones that have to fit into a predetermined dimension, tack soldering ensures there is no growth through movement of the pieces.
It's a quick way to avoid having to fiddle with each piece to make sure each is exactly lined up before starting with the running of the beads.
Friday, 11 December 2009
Soldering Bit Composition
Most bits are made of copper, which is suitable because of its excellent thermal conductivity and high heat content per volume. Some bits are plain copper, while others incorporate various additives or have a protective plating applied.
One of the most common problems associated with plain copper bits, is that tin-lead alloys (more specifically the tin in the alloy) will attack the copper, dissolving it away. This makes it necessary to continually file the bits to maintain the required shape, giving these bits a shortened working life. Another concern is the amount of impurity that is imparted to the solder joint when using bare copper bits.
Adding tellurium to the copper improves both wear and oxidation resistance, but does not protect the tip from rapid deterioration. It has been determined that both iron and nickel, despite their low conductivity, are wettable, offer a high level of resistance to erosion and their heat per volume is close to that of copper.
Because of these facts it is possible to maintain good conductivity, while increasing the erosion resistance by plating copper bits with either nickel or iron. These plated bits are generally referred to as nickel-clad, or iron-clad and make up a large majority of the bits in use for modern soldering applications.
Courtesy of American Beauty Tools
One of the most common problems associated with plain copper bits, is that tin-lead alloys (more specifically the tin in the alloy) will attack the copper, dissolving it away. This makes it necessary to continually file the bits to maintain the required shape, giving these bits a shortened working life. Another concern is the amount of impurity that is imparted to the solder joint when using bare copper bits.
Adding tellurium to the copper improves both wear and oxidation resistance, but does not protect the tip from rapid deterioration. It has been determined that both iron and nickel, despite their low conductivity, are wettable, offer a high level of resistance to erosion and their heat per volume is close to that of copper.
Because of these facts it is possible to maintain good conductivity, while increasing the erosion resistance by plating copper bits with either nickel or iron. These plated bits are generally referred to as nickel-clad, or iron-clad and make up a large majority of the bits in use for modern soldering applications.
Courtesy of American Beauty Tools
Labels:
Soldering,
Stained Glass in Glasgow,
Tools,
Verrier
Tuesday, 8 December 2009
Even Solder Beads on Edges
Running an even bead on the edges of copper foiled projects is often difficult. Several things can help.
Hold the panel vertically and ensure the edge you are applying solder to is horizontal. This means that you have to keep moving anything that is not rectangular.
To apply solder and move the piece ideally needs three hands – one for the solder, one for the iron, and one to manipulate the piece. Failing such an evolutionary leap, you can use a small vice to continually alter the angle of the edge, you can get a friend or colleague to manipulate the panel, or you can place the solder so that you can pick up little drops of solder and place them on the edge. With practice, you can pick up some solder and transfer it to the edge before the previous dot of solder has cooled, so leaving a smooth bead by the joining of the dots.
Alternatively, you can place dots of solder near each other around the piece. You then come back and with one hand manipulating the piece the other can use the solderimg iron to heat and join the dots.
You do have to be careful that you do not move the panel before the solder has hardened, or it will run down the newly created slope to the new horizontal edge.
I find that it is much more difficult to run a bead on an edge than it is to “pat” the solder dots. This patting motion allows the solder to join together, but does not heat such a long line that it flows as you turn the piece to keep the edge currently being soldered horizontal.
Hold the panel vertically and ensure the edge you are applying solder to is horizontal. This means that you have to keep moving anything that is not rectangular.
To apply solder and move the piece ideally needs three hands – one for the solder, one for the iron, and one to manipulate the piece. Failing such an evolutionary leap, you can use a small vice to continually alter the angle of the edge, you can get a friend or colleague to manipulate the panel, or you can place the solder so that you can pick up little drops of solder and place them on the edge. With practice, you can pick up some solder and transfer it to the edge before the previous dot of solder has cooled, so leaving a smooth bead by the joining of the dots.
Alternatively, you can place dots of solder near each other around the piece. You then come back and with one hand manipulating the piece the other can use the solderimg iron to heat and join the dots.
You do have to be careful that you do not move the panel before the solder has hardened, or it will run down the newly created slope to the new horizontal edge.
I find that it is much more difficult to run a bead on an edge than it is to “pat” the solder dots. This patting motion allows the solder to join together, but does not heat such a long line that it flows as you turn the piece to keep the edge currently being soldered horizontal.
Saturday, 5 December 2009
Even Solder Beads
Getting even solder beads is a lot about where you look while you solder. Unlike drawing or cycling looking at where you are going is not so useful when soldering. You need to see the effects of what you are doing so looking behind the solder bit will help you understand what you are doing. If the bead begins to get small or narrow you either slow down the forward movement of the solder bit or add solder to it more quickly. If the bead begins to get too thick, you do the opposite. You can move the bit faster, or reduce the speed of feeding the solder to the bit.
Another element in getting an even bead is the heat being delivered. If you use a wide soldering bit you are delivering more heat to the joint. You hold the chisel bit so that it runs along the foil. The bigger the bit, the more heat is being held. And the more heat held in the bit, the more heat is applied to the soldering. Small bits are for getting into tight spots and for decorative soldering. Big wide bits are best for running beads.
Another element in getting an even bead is the heat being delivered. If you use a wide soldering bit you are delivering more heat to the joint. You hold the chisel bit so that it runs along the foil. The bigger the bit, the more heat is being held. And the more heat held in the bit, the more heat is applied to the soldering. Small bits are for getting into tight spots and for decorative soldering. Big wide bits are best for running beads.
Friday, 20 November 2009
Plaster Properties - Effect of Plaster-Water Ratio
Plaster-water ratio (by weight) of 100 plaster to 30 water gives:
a setting time of 1.75 mins,
a compression strength of 813 kg/sq cm., and
a density of 1806 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 40 water gives
a setting time of 3.25 mins,
a compression strength of 477 kg/sq cm., and
a density of 1548 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 50 water gives
a setting time of 5.25 mins,
a compression strength of 318 kg/sq cm., and
a density of 1352 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 60 water gives
a setting time of 7.24 mins,
a compression strength of 230kg/sq cm., and
a density of 1207 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 70 water gives
a setting time of 8.75 mins,
a compression strength of 176 kg/sq cm., and
a density of 1083 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 80 water gives
a setting time of 10.5 mins,
a compression strength of 127 kg/sq cm., and
a density of 990 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 90 water gives
a setting time of 12 mins,
a compression strength of 99 kg/sq cm., and
a density of 908 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 100 water gives
a setting time of 13.75 mins,
a compression strength of 70 kg/sq cm., and
a density of 867 kg/cubic metre
a setting time of 1.75 mins,
a compression strength of 813 kg/sq cm., and
a density of 1806 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 40 water gives
a setting time of 3.25 mins,
a compression strength of 477 kg/sq cm., and
a density of 1548 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 50 water gives
a setting time of 5.25 mins,
a compression strength of 318 kg/sq cm., and
a density of 1352 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 60 water gives
a setting time of 7.24 mins,
a compression strength of 230kg/sq cm., and
a density of 1207 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 70 water gives
a setting time of 8.75 mins,
a compression strength of 176 kg/sq cm., and
a density of 1083 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 80 water gives
a setting time of 10.5 mins,
a compression strength of 127 kg/sq cm., and
a density of 990 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 90 water gives
a setting time of 12 mins,
a compression strength of 99 kg/sq cm., and
a density of 908 kg/cubic metre
Plaster-water ratio (by weight) of 100 plaster to 100 water gives
a setting time of 13.75 mins,
a compression strength of 70 kg/sq cm., and
a density of 867 kg/cubic metre
Labels:
Casting,
kiln forming,
Kiln Supplies,
Moulds,
Verrier
Wednesday, 18 November 2009
Properties of Typical Gypsum Plasters and Cements
No. 1 pottery plaster
Water to be added as % of dry mix by weight - 70%
Setting time - 27-37 mins
Dry density (kg/cubic metre) - 1106
% expansion on setting - 0.21
Compressive strength (kg/sq cm) - 127.26
No. 1 molding plaster
Water to be added as % of dry mix by weight - 70%
Setting time - 27-37 mins
Dry density (kg/cubic metre) - 1106
% expansion on setting - 0.20
Compressive strength (kg/sq cm) - 141
Plaster of Paris
Water to be added as % of dry mix by weight - 70%
Setting time - 27-37 mins
Dry density (kg/cubic metre) - 1106
% expansion on setting - 0.20
Compressive strength (kg/sq cm) - 141
No. 1 Casting plaster
Water to be added as % of dry mix by weight - 65%
Setting time - 27-37 mins
Dry density (kg/cubic metre) - 1162
% expansion on setting - 0.22
Compressive strength (kg/sq cm) - 170
Pottery plaster
Water to be added as % of dry mix by weight - 74%
Setting time - 27-37 mins
Dry density (kg/cubic metre) - 1057
% expansion on setting - 0.19
Compressive strength (kg/sq cm) - 127
Hydrocal cement
Water to be added as % of dry mix by weight - 45%
Setting time - 25-35 mins
Dry density (kg/cubic metre) - 1442
% expansion on setting - 0.39
Compressive strength (kg/sq cm) - 35
Hydroperm cement
Water to be added as % of dry mix by weight - 10%
Setting time - 12-19 mins
Dry density (kg/cubic metre) - <641
% expansion on setting - 0.14
Compressive strength (kg/sq cm) -
Hydro-Stone cement
Water to be added as % of dry mix by weight - 32%
Setting time - 17-20 mins
Dry density (kg/cubic metre) - 1914
% expansion on setting - 0.24
Compressive strength (kg/sq cm) - 707
Ultracal cement (30)
Water to be added as % of dry mix by weight - 38%
Setting time - 25-35 mins
Dry density (kg/cubic metre) - 1588
% expansion on setting - 0.08
Compressive strength (kg/sq cm) - 424
Water to be added as % of dry mix by weight - 70%
Setting time - 27-37 mins
Dry density (kg/cubic metre) - 1106
% expansion on setting - 0.21
Compressive strength (kg/sq cm) - 127.26
No. 1 molding plaster
Water to be added as % of dry mix by weight - 70%
Setting time - 27-37 mins
Dry density (kg/cubic metre) - 1106
% expansion on setting - 0.20
Compressive strength (kg/sq cm) - 141
Plaster of Paris
Water to be added as % of dry mix by weight - 70%
Setting time - 27-37 mins
Dry density (kg/cubic metre) - 1106
% expansion on setting - 0.20
Compressive strength (kg/sq cm) - 141
No. 1 Casting plaster
Water to be added as % of dry mix by weight - 65%
Setting time - 27-37 mins
Dry density (kg/cubic metre) - 1162
% expansion on setting - 0.22
Compressive strength (kg/sq cm) - 170
Pottery plaster
Water to be added as % of dry mix by weight - 74%
Setting time - 27-37 mins
Dry density (kg/cubic metre) - 1057
% expansion on setting - 0.19
Compressive strength (kg/sq cm) - 127
Hydrocal cement
Water to be added as % of dry mix by weight - 45%
Setting time - 25-35 mins
Dry density (kg/cubic metre) - 1442
% expansion on setting - 0.39
Compressive strength (kg/sq cm) - 35
Hydroperm cement
Water to be added as % of dry mix by weight - 10%
Setting time - 12-19 mins
Dry density (kg/cubic metre) - <641
% expansion on setting - 0.14
Compressive strength (kg/sq cm) -
Hydro-Stone cement
Water to be added as % of dry mix by weight - 32%
Setting time - 17-20 mins
Dry density (kg/cubic metre) - 1914
% expansion on setting - 0.24
Compressive strength (kg/sq cm) - 707
Ultracal cement (30)
Water to be added as % of dry mix by weight - 38%
Setting time - 25-35 mins
Dry density (kg/cubic metre) - 1588
% expansion on setting - 0.08
Compressive strength (kg/sq cm) - 424
Friday, 30 October 2009
Solarisation
Old glass can show changes in colour as evidenced by the different colour of the glass under the lead came where the light cannot reach the glass.
Drew Anderson has provided the explanation.
This change in color of some glass is known as solarisation.
The main ingredient of most glasses is silica, which is usually introduced as a raw material in the form of sand. Silica itself is colorless in glass form but most sands contain iron as an impurity, and this gives a greenish tint to glass. By adding certain other ingredients to a molten glass, it is possible to change the greenish color and produce colorless glass.
These ingredients are known as decolorizers, and one of the most common is manganese dioxide (MnO2). In chemical terms, the manganese acts as an oxidizing agent and converts the iron from its reduced state - which is a strong greenish blue colorant - to an oxidized state which has a yellowish, but much less intense, color. In the course of the chemical reaction, the manganese goes into a chemically reduced state, which is virtually colorless.
When pieces of decolorized glass containing reduced manganese are exposed to ultraviolet radiation for long periods of time, the manganese may become photo-oxidized. This converts it back into an oxidized form. Even in low concentrations this imparts a pink or purplish color to glass. The ultraviolet rays of the sun can promote this process over a matter of a few years or decades.
Selenium and cerium have also occasionally been used as a decoloriser and can produce solarisation colors, just as manganese does. The colors developed by these two elements are said to range from yellow to amber.
Drew Anderson has provided the explanation.
This change in color of some glass is known as solarisation.
The main ingredient of most glasses is silica, which is usually introduced as a raw material in the form of sand. Silica itself is colorless in glass form but most sands contain iron as an impurity, and this gives a greenish tint to glass. By adding certain other ingredients to a molten glass, it is possible to change the greenish color and produce colorless glass.
These ingredients are known as decolorizers, and one of the most common is manganese dioxide (MnO2). In chemical terms, the manganese acts as an oxidizing agent and converts the iron from its reduced state - which is a strong greenish blue colorant - to an oxidized state which has a yellowish, but much less intense, color. In the course of the chemical reaction, the manganese goes into a chemically reduced state, which is virtually colorless.
When pieces of decolorized glass containing reduced manganese are exposed to ultraviolet radiation for long periods of time, the manganese may become photo-oxidized. This converts it back into an oxidized form. Even in low concentrations this imparts a pink or purplish color to glass. The ultraviolet rays of the sun can promote this process over a matter of a few years or decades.
Selenium and cerium have also occasionally been used as a decoloriser and can produce solarisation colors, just as manganese does. The colors developed by these two elements are said to range from yellow to amber.
Monday, 26 October 2009
Mesh Sizes from a Typical Manufacturer
Mesh sizes have traditionally been measured by the number of wires per square inch used to sieve the material. This table gives a grit size measurement for the mesh/grit numbers in common use.
Mesh = Mesh opening (mm)
12 = 1.5240
14 = 1.2954
20 = 0.8636
30 = 0.5156
40 = 0.3810
50 = 0.2794
60 = 0.2337
80 = 0.1778
100 = 0.1397
120 = 0.1168
200 = 0.0737
325 = 0.0432
400 = 0.037
625 = 0.020
1200=0.012
2500=0.005
Mesh = Mesh opening (mm)
12 = 1.5240
14 = 1.2954
20 = 0.8636
30 = 0.5156
40 = 0.3810
50 = 0.2794
60 = 0.2337
80 = 0.1778
100 = 0.1397
120 = 0.1168
200 = 0.0737
325 = 0.0432
400 = 0.037
625 = 0.020
1200=0.012
2500=0.005
Friday, 23 October 2009
Break-Down Temperature of Common Mould Binders
The temperatures that various binders used in mould making is important to consider, as once they reach the break down point, they lose their strength and therefore ability to hold the mould together. The following table gives some indication of the characteristics of various binders.
Binders and Break-down Temperatures (degrees C)
Gypsum plaster - 704 - 816
Hydrocal cement - 704 - 816
Hydroperm cement - 760 - 927
Colloidal silica - 1260
Colloidal alumina - 1260
Calcium alumina (ciment fondu) - 1538
These of course, are not the only considerations in mould making but do show why combinations of materials is important. The common plasters and cement break down before the casting temperature of glass, typically 850C.
Binders and Break-down Temperatures (degrees C)
Gypsum plaster - 704 - 816
Hydrocal cement - 704 - 816
Hydroperm cement - 760 - 927
Colloidal silica - 1260
Colloidal alumina - 1260
Calcium alumina (ciment fondu) - 1538
These of course, are not the only considerations in mould making but do show why combinations of materials is important. The common plasters and cement break down before the casting temperature of glass, typically 850C.
Friday, 16 October 2009
Polishing 3D Glass on a Wet Belt Sander
Polishing three dimensional objects depends on the shape of the glass you are sanding down to the polished surface.
Convex shapes can be done on the wet belt sander with ease.
You can polish slightly concave items on a belt sander if you have an unsupported section of the belt. On machines with a flat platen, you can remove the platen to use the ability of the belt to form into a slightly convex curve.
Convex shapes can be done on the wet belt sander with ease.
You can polish slightly concave items on a belt sander if you have an unsupported section of the belt. On machines with a flat platen, you can remove the platen to use the ability of the belt to form into a slightly convex curve.
Wednesday, 30 September 2009
Removing silicone
To remove silicone before it is cured you use a putty or other straight bladed knife to remove any of the uncured paste. Then wipe the area clean with isopropyl alcohol to remove any leftover residue.
After it is cured you should first you should remove as much of the silicone as you can with either a knife or a razor.
A solvent can them be used to remove any oily residue or any remaining silicone. It may be necessary to soak the silicone in a solvent overnight to break it down.
A list of solvents in the order of aggressiveness in attacking the silicone:
Paint thinner (mineral spirits)
Toluene
Xylene
Acetone
Methylene chloride.
When using solvents, as with any material, proper safety precautions should be observed. Material Safety Data sheets are available upon request from manufacturers. Similar information for solvents and other chemicals can be obtained from manufacturers.
There also are “Silicone Eaters” on the market now. The chemical composition is unknown, but are less messy and more expensive than some of the other solvents. Use according to instructions.
After it is cured you should first you should remove as much of the silicone as you can with either a knife or a razor.
A solvent can them be used to remove any oily residue or any remaining silicone. It may be necessary to soak the silicone in a solvent overnight to break it down.
A list of solvents in the order of aggressiveness in attacking the silicone:
Paint thinner (mineral spirits)
Toluene
Xylene
Acetone
Methylene chloride.
When using solvents, as with any material, proper safety precautions should be observed. Material Safety Data sheets are available upon request from manufacturers. Similar information for solvents and other chemicals can be obtained from manufacturers.
There also are “Silicone Eaters” on the market now. The chemical composition is unknown, but are less messy and more expensive than some of the other solvents. Use according to instructions.
Monday, 28 September 2009
Glass Polishing Machines - Linisher
A wet belt sander, or linisher, is a machine intended to grind the edges of flat pieces of glass. It can do some work on bent, shaped, or slumped work, but its primary function is edging work while it is flat.
The machines consist of a vertical or near vertical belt and a water supply to keep the belt and work lubricated and cool. Work generally starts with a low numbered grit belt, perhaps 80 grit, and then proceeds through the higher numbers. For example: 80, 120, 220, 400, 600, cork. Each stage should approximately half the grit of the previous one.
Even with a cork belt, don’t expect a gloss you would see from a fire-polished piece. For that you need a cerium oxide belt or a felt belt with cerium oxide paste. Trizact is a brand name for fine polishing belts not requiring cerium oxide paste. These may be substituted for the more messy paste methods.
You can buy silicon carbide or diamond belts for a wet belt sander. The diamond belts are very expensive, but much longer lasting with proper care. If your belts are likely to receive rough treatment stick with the cheaper silicon carbide belts.
![]() |
Table top model |
The machines consist of a vertical or near vertical belt and a water supply to keep the belt and work lubricated and cool. Work generally starts with a low numbered grit belt, perhaps 80 grit, and then proceeds through the higher numbers. For example: 80, 120, 220, 400, 600, cork. Each stage should approximately half the grit of the previous one.
![]() |
Floor standing model |
Even with a cork belt, don’t expect a gloss you would see from a fire-polished piece. For that you need a cerium oxide belt or a felt belt with cerium oxide paste. Trizact is a brand name for fine polishing belts not requiring cerium oxide paste. These may be substituted for the more messy paste methods.
You can buy silicon carbide or diamond belts for a wet belt sander. The diamond belts are very expensive, but much longer lasting with proper care. If your belts are likely to receive rough treatment stick with the cheaper silicon carbide belts.
Thursday, 24 September 2009
Cooling Events
This is based on Graham Stone’s work with float glass. The temperatures are applicable to float glass, and so need to be adjusted for a particular glass, but illustrate the principle of how heating temperatures affect the glass. Temperatures in degrees Celsius.
600 Common temperature for crash cooling toward. Glass beginning to "freeze".
555 Annealing temperature of float. Bungs in.
515 Approximate Strain Point of float.
535-400 Critical slow cooling down phase for float that overlaps annealing range.
400-300 Medium cooling down ramp rate.
300-10 Fast cooling down ramp rate. Cracking the kiln open possible.
Based on Firing Schedules for Glass; the Kiln Compainion, by Graham Stone, Melbourne, 2000, ISBN 0-646-39733-8, p24
600 Common temperature for crash cooling toward. Glass beginning to "freeze".
555 Annealing temperature of float. Bungs in.
515 Approximate Strain Point of float.
535-400 Critical slow cooling down phase for float that overlaps annealing range.
400-300 Medium cooling down ramp rate.
300-10 Fast cooling down ramp rate. Cracking the kiln open possible.
Based on Firing Schedules for Glass; the Kiln Compainion, by Graham Stone, Melbourne, 2000, ISBN 0-646-39733-8, p24
Friday, 18 September 2009
Casting Temperature Events
This is based on Graham Stone’s work.
Temperatures are in degrees Celsius.
660 Bungs still out for casting.
710 Mould "curing" starts (molecular moisture being expelled).
820 Bas relief complete. Whiting gives off CO2
850 Glass flowing. Viscosity decreasing quickly. Common casting temperature
870 Fine mould/mold detail complete
900 Plaster moulds becoming very brittle
950 Un-reinforced plaster moulds no longer viable.
1100 Glass runny enough for sand casting and other manipulative techniques.
Based on Firing Schedules for Glass; the Kiln Companion, by Graham Stone, Melbourne, 2000, ISBN 0-646-39733-8, p24
Temperatures are in degrees Celsius.
660 Bungs still out for casting.
710 Mould "curing" starts (molecular moisture being expelled).
820 Bas relief complete. Whiting gives off CO2
850 Glass flowing. Viscosity decreasing quickly. Common casting temperature
870 Fine mould/mold detail complete
900 Plaster moulds becoming very brittle
950 Un-reinforced plaster moulds no longer viable.
1100 Glass runny enough for sand casting and other manipulative techniques.
Based on Firing Schedules for Glass; the Kiln Companion, by Graham Stone, Melbourne, 2000, ISBN 0-646-39733-8, p24
Wednesday, 16 September 2009
Disposal of Used Bullseye Thinfire
The main ingredients of Bullseye’s Thinfire are cellulose, aluminum hydroxide, fiber glass, and organic binders. It is predominately a nuisance dust and irritant.
Use a vacuum sweeper with a high efficiency filter and a bag rated for plaster dust. Also many vacuums with a HEPA filter system will be sufficient. Wrap the disposable bag in another -preferably paper - bag to avoid dispersing the dust when it goes into the rubbish.
Use a vacuum sweeper with a high efficiency filter and a bag rated for plaster dust. Also many vacuums with a HEPA filter system will be sufficient. Wrap the disposable bag in another -preferably paper - bag to avoid dispersing the dust when it goes into the rubbish.
Monday, 14 September 2009
Viscosity Changes with Temperature
This is based on Graham Stone’s work with float glass. The temperatures are applicable to float glass, but illustrate the principle of how viscosity changes in a non linear pattern with the increase in temperature. Temperatures are in degrees Celsius.
515 Viscosity 10145 poises (approximate strain point of float)
555 Viscosity 1013 poises
610 Viscosity 1010 poises
730 Viscosity 976 poises
850 Viscosity decreasing faster
900 Viscosity now 105 poises and falling
Based on Firing Schedules for Glass; the Kiln Companion, by Graham Stone, Melbourne, 2000, ISBN 0-646-39733-8, p24.
This shows that viscosity changes rapidly from the lower strain point (the solidification of glass) to annealing. The change slows from the annealing point to full fusing, but changes rapidly after that. This is an important factor to control in casting and free drops.
What is viscosity
Graph of the changes
515 Viscosity 10145 poises (approximate strain point of float)
555 Viscosity 1013 poises
610 Viscosity 1010 poises
730 Viscosity 976 poises
850 Viscosity decreasing faster
900 Viscosity now 105 poises and falling
Based on Firing Schedules for Glass; the Kiln Companion, by Graham Stone, Melbourne, 2000, ISBN 0-646-39733-8, p24.
This shows that viscosity changes rapidly from the lower strain point (the solidification of glass) to annealing. The change slows from the annealing point to full fusing, but changes rapidly after that. This is an important factor to control in casting and free drops.
What is viscosity
Graph of the changes
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