The principle in forming channels in fused glass is to keep the space open with something that will survive the firing and can be easily removed.
You can use kiln washed wire, mandrels, or tooth picks which you can pull out after cooling. These tend to leave a residue of the kiln wash behind. So this is best used on opaque items.
You can use rolled or cut fibre paper, which can be washed out after cooling, leaving a clean hole. This is works well on transparent items.
Both these methods tend to leave bumps over the channel. So you can make a three layer piece. Cut the middle layer short enough to allow the element to keep the hole open (toothpick, cut piece of fibre paper, wire etc.) to be placed with enough overlap of the top layer to catch the bottom layer. In this kind of setup you need to make the top layer a bit longer than the bottom layer. Make sure you are generous in the length of the "hole keeper" so if the glass (now possibly 9mm) does expand you do not trap the material inside.
Of course on a three layer set up like this you could use thin glass which would give you about 6mm of thickness thus eliminating the spread due to volume. In this case you would need to use fibre paper or wire that is about 1.5mm high/thick. It is probably best to have a thin piece of glass on each side of the “hole keeper” to ensure the glass does not retreat due to lack of volume.
You can experiment with a layer of standard and two of thin in various combinations to find the one you like best.
Showing posts with label Jewellery suspension. Show all posts
Showing posts with label Jewellery suspension. Show all posts
Wednesday 3 May 2017
Wednesday 5 August 2015
Channels for Jewellery
One
way of providing attachments for chains is to make a channel in the
piece. This is most often done by placing something between the
glass pieces to maintain an opening for the chain to slide through.
The materials can range from toothpicks, coated wire, rolled ceramic
fibre paper and many other things which will stand up to the heat for
the required time.
One
of the requirements is to prevent needle points and drawbacks of the
glass. There are a number of ways to do this. Some of them are
noted here.
One
method is to make pattern bars with a channel through the whole width
of the bar. Then you need to cut the bar into strips (leaving the
channel material in place), do any edge work required, and fire
polish.
When
creating a single piece from cut glass parts, you need to ensure the
upper piece of glass extends beyond the lower piece by at least 3mm
to allow the glass to bend over the channel and touch the lower
piece. A little more than 3mm will allow the upper glass to curve
over the bottom piece and create a rounded top with no evidence of
the joining of the two pieces of glass.
Another
method is to use two pieces of 2mm glass with full pieces above and
below. The narrowest piece of glass will be about 3-4mm and placed
at the top of the pendant. The largest piece will be long enough to
give a 2mm gap between the two pieces. This is kept open by
inserting two pieces of 1mm fibre paper into the gap. Then cap with
the top piece of glass. All the glass can be of 2mm thickness, as
the three layers will give the desired 6mm thickness.
Finally,
a tack fuse firing can help to avoid the needling that can occur at
the channel, as the glass is so much thinner than the 6mm required
for a full fuse. This means that you can do the work in stages.
First fire the elements to the desired state, then combine them for a
tack fuse when creating the channel.
If you use a clear middle glass, you can create a depth by having a design on both the bottom and top layers of glass.
Friday 5 July 2013
Channels for Jewellery
There
are many ways to attach jewellery to the wearer.
One
of these is to create a channel in the glass to allow a chain or jump
ring to be placed through the piece. This is done by stacking the
glass around a narrow strip of thick fibre paper – 2mm or 3mm –
thick enough to allow the chain or wire to pass through.
Channel formed with 2 layers and fibre paper |
This
can be built with layers of thin fusing glass. These are normally
1.5mm to 2mm thick. Volume control is important, as enough thickness
of glass is required to stop it contracting. The piece might be
constructed with a 3mm base, and several thin layers to make a total
thickness of 6mmm to 9mm.
For
the channel, cut a narrow piece of thin layer
about 6mm to 8mm for the top. Then cut another short enough
to leave a channel of the desired width. Fill that channel with fibre
paper. Then continue to build the upper layers. These layers should
be around 6mm to keep the glass around the channel from drawing in.
Pendant formed in the manner described above |
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