Showing posts with label Schedules. Show all posts
Showing posts with label Schedules. Show all posts

Wednesday 6 March 2024

Slumping Strategy

A schedule was presented for a slumping problem of a 6mm/0.25” blank.  It consisted of three segments each of a rate of 277C/500F with short holds up to 399C/750F and then a rapid rise to 745C/1375F.  The cool was done with two long holds at 537C/1000F and 482C/900F followed by cooling rates for 12mm/0.5”



My response was that, yes it was fired too high.  Not only that, but the firing strategy, as shown by the schedule, is odd. 

Strategy

The general strategy for slumping follows these ideas.

·        Glass is slow to absorb heat, and in one sense, this schedule accepts that by having short soaks at intervals.  As glass is slow to absorb heat, it is necessary to use slow ramp rates and without pauses and changes in rates.  This should be applied all the way to the slumping temperature.

·        Holds of short durations are not effective at any stage in a slumping firing.  The objective is to allow the glass time to form to the mould with as little marking as possible.  This implies slow rates to low temperatures with significant holds at appropriate stages.  This about putting enough heat work into the glass that higher temperatures are not needed.

·        This kind of firing requires observation for new moulds and new arrangements of glass to ensure the slump is complete.  Once you know the mould requirements and are repeating the layup of the glass, the firing records will tell you what rates and times to use to get a complete slump with minimum marking.

·        The hold at annealing temperature is to equalise the temperature throughout the glass to produce a stress-free result.  Any soaks above are negated or repeated by the necessary soak at the annealing temperature.  The hold there must be long enough to complete the temperature equalisation that is the annealing.

·        My work has shown that annealing for one (3mm/0.125”) layer thicker produces a piece with less stress.  This indicates that a 6mm/0.25” piece should be annealed as for 9mm/0.35” to get the best result.

The summary of the firing strategy for slumping is:

  • ·        A single ramp of a slow rate to the slumping temperature.
  • ·        Observation of the progress of the slump to determine the lowest practical temperature and hold time.
  • ·        Annealing for one layer thicker that being slumped.
  • ·        Three stage cooling of the piece at rates related to the annealing hold.

Critique

This is a critique of the schedule. For comparison, my schedule for a full fused 6mm blank would be different.

  • ·        140ºC/250ºF to 677º/1250ºF for 30 to 45 minutes.
  • ·        9999 to 482ºC/900ºF for 1.5 hours
  • ·        69ºC/124ºF to 427ºC/800ºF, no hold
  • ·        125ºC/225ºF to 371ºC/700ºF, no hold
  • ·        330ºC/600ºF to room temperature, off.

The rate of the published schedule is fast for a full fused blank and extremely fast for a tack fused blank. This needs to be slowed.  The schedule provides a single (fast) rate of heating, but with unnecessary holds.  The holds are so short as to be ineffective, anyway. There is no need for the holds on the way up to the slumping temperature.  In general slumping schedules are of fewer segments.   This is because glass behaves well with steady slow inputs of heat.

Then strangely, the schedule increases the rate to top temperature.  It does so with a brief soak at 593ºC/1100ºF.  This fast rate of 333ºC/ 600ºF begins at 400ºC/750ºF.  This is still in the brittle phase of the glass and risks breaking the glass.  The brittle stage ends around 540ºC/ 1005ºF.

This rapid rate softens the surface and edges of the glass without allowing time for the underside to catch up.  This explains uneven edges.  It also risks breaking the glass from too great expansion of the top before the bottom.

Additionally, the schedule uses a temperature more than 55ºC/100ºF above what is a reasonable highest slumping temperature.  The top temperature of this schedule is in the tack fusing range.

There is no need for a hold 55ºC/100ºF above annealing soak. It is the annealing soak that equalises the temperature before the cool begins.  The higher temperature equalisation is negated by the cooler soak at annealing temperature. So, the hold at the higher temperature and slow cool to the annealing temperature only delays the firing by about two hours.  It does not have any effect on the final piece.

The schedule is cooling for a piece of 12mm/0.5”.  This is slower than necessary.  As noted above, cooling for one layer thicker than the piece is advisable to get the most stress free result.  The annealing soak could be 1.5 hours following this idea.  Cooling with a three stage schedule reduces the risk of inducing temporary stresses that might break the glass.  Although the initial cooling rate I recommend is very similar to this schedule, it safely reduces the total cooling time.

  • ·        69ºC/124ºF to 427ºC/800ºF, no hold
  • ·        125ºC/225ºF to 371ºC/700ºF, no hold
  • ·        330ºC/600ºF to room temperature, off.

Using my kind of schedule for the first time will require peeking once top temperature is reached to determine when the slump is complete. It may take as much as an hour. Be prepared to either extend the hold, or to skip to the next segment if complete earlier. The controller manual will explain how.

 More information is given in Low Temperature Kilnforming, An Evidence-based guide to scheduling.  Available from Etsy and Bullseye


Wednesday 28 February 2024

Refiring and Annealing

A question about re-fusing: 

I have just taken a large piece, with uneven layers out of the kiln, it went in … and fired for double thickness. A small piece has flipped and is showing the white side. … If I cover this with a thin layer of coloured powder frit, does the piece need the long anneal process when I fire it again, please. I will be taking it up to the lowest tack fuse temperature possible [my emphasis], so the rest doesn’t change too much.

When considering the re-firing of a fused piece, even with minimal changes, the schedule needs re-evaluation of both ramp rates and annealing. In this case, the major change is using a sinter firing – “the lowest tack fuse temperature possible”.

Ramp Up Rates

Previously the piece was in several layers.

  • The piece is now a thicker single piece and needs more careful ramp rates.
  • It is also of uneven thicknesses.
  • And you intend to fire to a sharp tack or sinter.

These things make a requirement for more cautious firing. You cannot fire as quickly from cold as forthe original unfired piece. Previously, the sheets could be heated as though separate. They were not hot enough to stick together until beyond the strain point. They now could experience the differential expansion from  rapid heating, which can cause breaks. 

The previously fired piece will need a slower initial ramp rate this time. This is because you are firing for a sharp tack. This is also known as fusing to stick, or sintering. It is not because of a second firing. It is because of the differences in the glass for this firing. You are firing a single thicker piece of uneven layers to a sharp tack.

Looking at Stone* and the Bullseye chart for Annealing Thick Slabs indicates that in general, the first ramp rate should be halved for each doubling of calculated thickness. This is for full fused items. However, this is going to be a more difficult fusing profile - sintering. The calculation for sintering is as for 2.5 times the thickest part of the piece. This factor of 2.5 was determined by a series of experiments that are detailed in the eBook Low Temperature Kilnforming.

You started with firing two layers of 3mm/0.125” at possibly 330°C/595°F. You are now firing the fused 6mm/0.252 piece to a sharp tack. This means you should be looking at firing for 2.5 times or 15mm/0.625”. This implies 240°C/435°F as the maximum first ramp rate. A more cautious approach is to fire to 300ºC/540ºF at a rate of 72ºC/130ºF, as most heat-up breaks occur below that temperature. You should maintain that rate to 540°C/1005°F afterwards. 

Annealing

The annealing time and cool rate will be affected in the same way as the change to a sharp tack firing. Without that fuse profile change, and no change in the profile or thickness of the piece, it could have been annealed as previously. However, changing to a sharp tack means a longer anneal soak is required. This sharp tack annealing is for 2.5 times the thickness or 150 minutes.

Cooling

The cooling rates for this piece are not the same as for the first firing. A sharp tack firing will require cooling rates of:

  • 40ºC/73ºF to 482°C/900°F.
  • 72ºC/130ºF f427ºC/800ºF.
  • 240ºC/435ºF to room temperature

This applies regardless of the fusing glass you are using, as it is the viscosity which is the important factor in cooling.  Viscosity is primarily related to temperature.


Refiring with Significant Additions.

Ramp rate

If there are additions to the thickness, a slower first ramp rate will necessary. If an additional 3mm layer is placed on top of a 6mm base for a rounded tack, you will need to schedule as for 19mm/0.75” (twice the thickest part). This will be 150°C/270°F for the first ramp rate. For a sharp tack, it will be as for 22.5mm/0.825”. The maximum rate will be reduced to 120ºC/216F for the first ramp. This shows the additional caution required for sharper fusing profiles.

Annealing

The annealing will need to be longer than the first firing. The thickness has changed with the additions of pieces for a rounded tack firing. Instead of annealing for 6mm/0.25” you will be annealing as for 19mm/0.75”. This requires a hold of three hours at the annealing temperature and cooling over three stages:

  • The first cool rate is 25°C/45°F per hour to 482°C/900°F.
  • The second rate is 45°C/81°F per hour to 427ºC/800ºF.
  • The last rate is at 90C°C/162°F per hour to room temperature.

If there are additions, plus firing to the lowest possible tack temperature – as in the example - the firing must be as for 2.5 times the actual thickness. Annealing as for 25mm/1” gives rates of:

  • The first cool rate is 15°C/27°F per hour to 482°C/900°F.
  • The second rate is 27°C/49°F per hour to 427ºC/800ºF.
  • The last rate is at 90C°C/162°F per hour to room temperature.

These examples show how dramatically later additions in thickness can add to the length of the firing to re-fire a well-annealed piece without breaking it on the heat-up. It also shows that changing the profile to a sharper tack affects the annealing and cooling times and rates.

 

*Graham Stone. Firing Schedules for Glass; the Kiln Companion. 2000, Melbourne. ISBN 0-646-397733-8

As a side note Stone’s book has become a collectable.


Wednesday 21 February 2024

Go-to Schedules

 It’s a schedule I always use.

This is a frequent statement in response to a firing that has gone wrong.

You don't always fuse the same thing, or the same design, or the same thickness, etc. So why always use the same schedule?

The schedule for the firing each piece needs to be assessed individually. It may be similar to previous firings. But it may have differences. Assess what those differences mean for the firing.  Some factors to consider.

Addition of another layer to a stack in tack fusing makes a difference to the firing requirements. Even if it is only on part of the piece. It needs to have a slower ramp rate and a longer anneal soak and slower cooling.

A different design will make a difference in firing requirements too. For example, if you are adding a design to the edges of the glass, you will need different bubble squeeze schedules than when you do not have a border. It will need to be slower and longer than usual.

The placement of the piece in the kiln may require a re-think of the schedule too. If the piece is near the edge of the kiln shelf, or in a cool part of the kiln while others are more central, the same schedule is unlikely to work. You need to slow the schedule to account for the different heat work each piece will receive during the firing.

If you have introduced a strong contrast of colour or mixed transparent and opalescent glass in a different way, you may need slower heat ups and longer cools.

These are some examples of why the same schedule does not work all the time. It works for pieces that are the same. But it does not work for pieces that are different. And we should not expect it to.

There are sources to help in developing appropriate schedules. Bob Leatherbarrow’s book FiringSchedules for Kilnformed Glass is an excellent one.

Another one is especially good for lower temperature work: Low Temperature Kilnforming, anEvidence-Based Approach to Scheduling. Be aware that I have a vested interest here – I wrote it.


 

 

Wednesday 27 December 2023

Scheduling with the Bullseye Annealing Chart

This post is about adapting the Bullseye chart Annealing Thick Slabs to write a schedule for any soda lime glass as used in kilnforming.

I frequently recommend that people should use the Bullseye chart for Annealing Thick Slabs in Celsius  and Fahrenheit.  This chart applies to glass from 6mm to 200mm (0.25” to 8”).

“Why should the Bullseye annealing chart be used instead of some other source?  I don’t use Bullseye.”

My answer is that the information in the chart is the most thoroughly researched set of tables for fusing compatible glass that is currently available.  This means that the soak times and rates for the thicknesses can be relied upon.

“How can it be used for glass other than Bullseye?”  

The rates and times given in the chart work for any soda lime glass, even float. It is only some of the temperatures that need to be changed.

"How do I do that?"  

My usual response is: substitute the annealing temperature for your glass into the one given in the Bullseye table.

 "It’s only half a schedule."

That is so.  The heating of glass is so dependent on layup, size, style, process, and purpose of the piece.  This makes it exceedingly difficult to suggest a generally applicable firing schedule.  People find this out after using already set schedules for a while. What works for one layup does not for another.

Devising a Schedule for the Heat Up

There is no recommendation from the chart on heat up.  You have to write your own schedule for the first ramps.  I can give some general advice on some of the things you need to be aware of while composing your schedule.

The essential element to note is that the Bullseye chart is based on evenly thick pieces of glass.  Tack fusing different thicknesses of glass across the piece, requires more caution. The practical process is to fire as for thicker pieces.  The amount of additional thickness is determined by the profile being used.  The calculation for addition depends on the final profile.  The calculation for thickness is as follows:

  • Contour fusing - multiply the thickest part by 1.5. 
  • Tack fusing - multiply the thickest part by 2. 
  • Sharp tack or sinter - multiply the thickest part by 2.5.

The end cooling rate for the appropriate thickness is a guide for the first ramp rate of your schedule.  For example, the final rate for an evenly thick piece 19mm/0.75” is 150ºC/270ºF.  This could be used as the rate for the first ramp. 

Bob Leatherbarrow has noted that most breaks occur below 260ºC/500ºF.  If there are multiple concerns, more caution can be used for the starting ramp rate.  My testing shows that using a rate of two thirds the final rate of cooling with a 20 minute soak is cautious.  In this example of a 19mm piece it would be 100ºC/180ºF per hour.

Even though for thinner pieces the rates given are much faster, be careful.  It is not advisable to raise the temperature faster than 330ºC/600ºF per hour to care for both the glass and the kiln shelf.

Once the soak at 260ºC//500ºF is finished, the ramp to the bubble squeeze should maintain the previous rate.  It should not be speeded up.  The glass is still in the brittle phase.

After the bubble squeeze you can use a ramp rate to the top temperature of up to 330C/600F.   AFAP rates to top temperature are not advisable.  It is difficult to maintain control of the overshoots in temperature that are created by rapid rates.  

The top temperature should be such as to achieve the result in 10 minutes to avoid problems that can occur with extended soaks at top temperature.

In the example of an evenly thick 19mm/0.75” piece a heat up full fuse schedule like this could be used:

  • 150ºC/270ºF to 566ºC/1052ºF for 0 minutes
  • 50C/90F to 643C/1191F for 30 minutes
  • 333ºC/600ºF to 804ºC/1479ºF for 10 minutes

 

If a more cautious approach to the heat up is desired, this might be the kind of schedule used:

 

  • 100ºC/180ºF to 260ºC/500ºF for 20 minutes
  • 100ºC/180ºF to 566ºC/1052ºF for 0 minutes
  • 50C/90F to 643ºC/1191ºF for 30 minutes
  • 333ºC/600ºF to 804ºC/1479ºF for 10 minutes

This approach is applicable to all fusing glasses.

 

Adapting the Bullseye Annealing Chart

After writing the first part of the schedule, you can continue to apply the annealing information from the Bullseye chart.  The first part of the anneal cooling starts with dropping the temperature as fast as possible to the annealing temperature.

The method for making the chart applicable to the annealing is a matter of substitution of temperatures.  

First, determine the annealing point of the glass.  Go to the web page of the glass manufacturer to get their annealing temperature.  You can use the information in this blog post giving some of the critical temperatures for a range of glasses.  This information has been taken from the manufacturers’ web sites as they are sometimes difficult to find.  A brief listing of some published annealing soak temperatures:

  • Bullseye                               482C/900F
  • Oceanside                            510C/960F
  • Uroboros by Youghiogheny     510C/960F
  • Old Uroboros                        519C/967F
  • Wissmach 96                        482C/900F
  • Youghiogheny96                    510C/960F
  • Float Glass
  • Pilkington Optiwhite               559C/1039F
  • Pilkington Optifloat                548C/1019F
  • USA float (typical)                 548C/1019F
  • Australian float (typical)         548C/1019F

Use the annealing temperature from your source as the target temperature in place of the Bullseye temperature.

The annealing soak times are important to equalise the temperature within the glass to an acceptable level (ΔT=5ºC).  The annealing soak time is related to the calculated thickness of the piece.  This measurement is done in the same way as devising the appropriate rate for heat up. 

Applying the Cooing Rates

Then apply the rates and temperatures as given in the chart.  The three stage cooling is important.  The gradually increasing rates keep the temperature differentials within acceptable bounds with the most rapid and safe rates.

The temperatures and rates remain the same for all soda lime glasses – the range of glass currently used in fusing, including float glass.  The soak time for the calculated thickness of your glass piece will be the same as in the Bullseye chart.  

This means that the first cooling stage will be to 427ºC/800ºF.  The second stage will be from 427ºC/800ºF to 371ºC/700˚F.  And the final stage will be from 371ºC/700˚F to room temperature.

I will repeat, because it is so important, that the thickness to be used for the anneal soak and cooling rates for your schedule relates to the profile you desire.  A fuse with even thickness across the whole piece can use the times, temperatures, and rates as given in the chart as adapted for your glass.  The thicknesses to use are for:

Contour fusing - multiply the thickest part by 1.5. 

Tack fusing - multiply the thickest part by 2. 

Sharp tack or sinter - multiply the thickest part by 2.5.

An annealing cool schedule for 19mm/0.75" Oceanside glass is like this:

  • AFAP to 510˚C/ 951˚F for 3:00 hours
  • 25˚C/45˚F to 427˚C/800˚F for 0 time
  • 45˚C/81˚F to 371˚C/700˚F for 0 time
  • 150˚C/270˚F to room temperature, off.


Many will wish to turn off the kiln as early as possible.  This is not part of best kilnforming practice.  If you still wish to do this, the turn off temperature must be related to the thickness and nature of the piece.  To turn off safely, you need to know the cooling characteristics of your kiln.  This can be determined by observing the temperature against time and then calculating the kiln’s natural cooling rateAnd then applying that information to cooling the kiln.

 

The best source for devising schedules is the Bullseye chart for Annealing Thick Slabs.  It is well researched and is applicable with little work to develop appropriate schedules for all the fusing glasses currently in use.

 

 




Wednesday 13 December 2023

Fold Moulds

 


These moulds are available in stainless steel forms in various sizes

You can create your own mould for self-supporting display items. Fibre board and vermiculite board are suitable.



 

I chose 25mm/1” fibre board because I had a suitable piece lying around. It is possible to use thinner fibre board, but the thicker board is more likely to resist deformation over a long use period. The 15mm/0.675” board is suitable for light use. These do not need to be rigidised unless you desire to for a more robust structure. They do not need to be kiln washed unless you feel a better surface will be achieved.

Angled Surface

The 25mm/1” vermiculite board is more durable. It does need to be kiln washed to avoid glass sticking to it. Otherwise’ it is treated just the same as the fibre board.

The width and length of the board are determined by the width and length of the piece you are currently making or envisage making. You can make it longer than current needs and use a stop of a piece of fibre board or other kiln furniture to ensure the glass does not slip down the slope. This allows you to adjust the mould to different lengths for a variety of projects.

Both materials need to have an angle cut from one end. This is the end that will be elevated. It allows the glass to bend directly from the end of the angled board. This angle does not need to be more than 30 degrees from vertical, as most self-supporting items have angles of about 15 degrees or less.

Support

Then a support piece needs to be made. If it is not of fibre board, it needs to be kiln washed to prevent the glass from sticking. This support needs to be as wide as the angled board. The height of support will determine the angle of the finished piece.

It needs to be aligned vertically and directly under the top of the angled board. A try square can help with this alignment. This support also stops the draping glass from curving under the top. It would be interesting for a rocking horse kind of item, but not for a stable decoration.

The support under the elevated end can be made to various heights to obtain various angles on the piece. Also, different heights of support will be required to maintain the same angle on different lengths of the standing piece. This makes the home-made mould much more versatile than the steel ones.

The Stop

The stop is a piece of kiln furniture placed on the slope at the end of the glass to ensure the glass does not slip down during the firing. It is not fixed to the sloped board so that it can be repositioned. If you are using fibre board for the slope and the stop, you can pin the stop to the sloped board. Or you can use heavier kiln furniture, propped as appropriate to form the stop.


Firing notes

Glass lengths

The length of base in relation to upright needs to be determined before firing. You can, of course, cut the excess base length off after firing. I make the base to be the same length as the top leans back. This ensures the piece will not become top heavy.

A spirit level can be used to determine how long the support needs to be. You already know how long the sloped piece of glass is. Place the stop at that distance from the top end of the sloped board. Use a spirit level to indicate the length the base will need to be. When levelled, make a mark on the support. Then measure the distance from the mark to the top of the slope. That length plus the length of the sloped glass will equal the total length of the flat glass.

Scheduling

Use a moderate ramp rate for the thickness of the glass. The top temperature should be about 650˚C/1200˚F. Set the soak time for an hour. Peek frequently from the start of the hold to be sure the glass has draped vertically. When it has advance to the next segment and proceed to anneal.




Wednesday 22 November 2023

Slumping Schedules


 When slumping fired pieces, it is most often appropriate to use a slow ramp rate to avoid too rapid expansion of the glass that might lead to a break. Most glass breaks on the ramp up are below 300°C/573°F. It is in this range that there is a rapid expansion of ceramic. This means a slow rate is protective for both glass and ceramic moulds.


Slumping Schedules by Profile (Celsius)

Flat Fuse and Contour Tack

Actual thickness

Ramp 1 rate to 260°C

Soak time (min)

Ramp 2 rate

Slumping  temp. for mould *

Soak time (min)

Anneal as for contour:

6

240

20

240

 

30

9mm

Rounded Tack

Actual thickness

Ramp 1 rate to 260°C

Soak time (min)

Ramp 2 rate

Slumping  temp. for mould *

Soak time (min)

Anneal as for round tack:

6

150

20

150

 

30

9mm

Sharp Tack

Actual thickness

Ramp 1 rate to 260°C

Soak time (min)

Ramp 2 rate

Slumping  temp. for mould *

Soak time (min)

Anneal as for sharp tack:

6

120

20

120

 

30

9mm

 

Slumping Schedules by Profile (Fahrenheit)

Flat Fuse and Contour Tack

Actual thickness

Ramp 1 rate to 500°F

Soak time (min)

Ramp 2 rate

Slumping  temp. for mould *

Soak time (min)

Anneal as for:

0.250”

432

20

540

 

30

0.375”

Rounded Tack

Actual thickness

Ramp 1 rate to 500°F

Soak time (min)

Ramp 2 rate

Slumping  temp. for mould *

Soak time (min)

Anneal for:

0.250”

270

20

270

 

30

0.375”

Sharp Tack

Actual thickness

Ramp 1 rate to 500°F

Soak time (min)

Ramp 2 rate

Slumping  temp. for mould *

Soak time (min)

Anneal for:

0.250”

216

20

216

 

30

0.375”

 

*Of course, the slumping temperature will be altered for the glass according to the manufacturer’s stated range. The nature of the mould will also have a big effect on temperature and time. The soak times at the slump soak are those appropriate for the mould. The annealing soaks are related to the profile of the glass.


Rates

It is most often best to use a slow ramp rate to at least 500°C/933°F. This avoids the risk of inducing a too rapid differential expansion within the glass as it heats up. Experiments relating to the first ramp rate have shown firing as for two layers thicker than indicated by the profile schedule provides the best results. It is then possible to increase the rate as determined by the profile schedule.

The rates for the anneal soak and cool are those that are one layer thicker than determined by the schedule for the profile. This has been shown by experimentation to give the best annealing result – i.e., least stress.

Temperatures

The slumping temperature needs to be altered for two factors:

  • ·        the glass according to the manufacturer’s stated range, and
  • ·        the nature of the mould.

Many manufacturers are giving recommended temperatures and times for slumping in their moulds. An example is the Bullseye “Quick Tip” which gives suggested temperatures and times for various sizes and natures of moulds that can form the basis for scheduling of slumps. The rates are normally for flat uniformly thick pieces. This will need alteration for tack profile pieces.

Take note of the soak time in these recommendations. If it is less than 10 minutes, it is possible to reduce the temperature by about 10°C/18°F by using a 30-minute soak. This will reduce marking on the back of the glass.

Soaks / Holds

Slumping schedules tend to be more difficult to devise than many other operations in kilnforming because of variations in moulds and what is placed on them. This, consequently, makes observation of the slump more important. It is needed from a point below the target temperature – say 20°C/36°F – to ensure the slump is stopped when it is complete.  If it is not complete, the soak can be extended. The controller manual will give the information on how to do these operations. In general, you schedule slower ramp rates for thicker pieces in combination with the half hour soak. This means for each thickness greater than 6mm, the top temperature can be reduced and still achieve a full slump.

The schedules here are applicable for pieces up to 9mm actual thickness.

Slumping of thicker pieces needs to apply the underlying scheduling method:

  • ·        Apply the rate for two layers thicker for the advance to 260°C/500°F.
  • ·        Increase the rate after that to one for a single layer thicker than calculated all the way up to the slumping temperature.
  • ·        For annealing, also select the rates and times for one layer thicker than indicated by the profile.

 

For example:

  • ·        Rounded Tack of Bullseye, 12mm/0.5” thickness
  • ·        Schedule for 25mm/1” (2 times multiplier)
  • ·        Initial ramp rate for 31mm/1.25” (two thickness greater)

Celsius schedule for up to 9mm actual thickness:

Segment >

1

2

3

4

5

6

7

Rate

150

150

ASAP

15

27

90

off

Temp

260

Top

482

427

370

RT

 

Time(mins)

20

30

240

0

0

0

 

and in Fahrenheit:

Segment >

1

2

3

4

5

6

7

Rate

270

270

ASAP

27

49

162

off

Temp

500

Top

900

800

700

RT

 

Time(mins)

20

30

240

0

0

0

 

 

A further example:

  • ·        Sharp Tack of Bullseye, 0.5” thickness
  • ·        Schedule for 31mm/1.25” (2.5 times multiplier)
  • ·        Initial ramp rate for 38mm/1.5” (two thickness greater)

 Celsius schedule for up to 9mm actual thickness:

Segment >

1

2

3

4

5

6

7

Rate

78

78

ASAP

11

20

65

off

Temp

260

Top

482

427

370

RT

 

Time(mins)

20

30

300

0

0

0

 

and in Fahrenheit:

Segment >

1

2

3

4

5

6

7

Rate

140

140

ASAP

20

36

117

off

Temp

500

Top

900

800

700

RT

 

Time(mins)

20

30

300

0

0

0

 

 

These examples show that considerable differences in scheduling are needed for different tack profiles. It also shows longer annealing soaks and slower cooling rates are required for sharp than rounded tack pieces.

 

More information is given in the e-Book Low Temperature Kilnforming. and at Bullseye eBooks