Sometimes your clear base has bubbles, or as the trade calls
it, seeds. When capped with opalescent
glass, in certain circumstances, these tiny bubbles can become larger and rise
to the surface, pushing the opalescent aside as it rises. This leaves a clear spot in the midst of the
opalescence.
Clear cap
One way of reducing this problem, is to avoid it
altogether. This can be done by placing
the clear on top of the opalescent as a cap.
This way the bubbles, if any, are rising through the clear.
Flip and Fire
If you can’t, for one reason or another, cap the piece with
clear, you can fire upside down. Again, the bubbles are rising through the
clear. When the firing is complete, you
can flip it over to the right side. You
will need to clean thoroughly and take to a fire polish temperature to get the
shiny surface back.
Another way is to fire to a lower top temperature with a
longer soak. This means the glass can
take up the profile you want without becoming so soft that the bubbles can rise
through the glass. You will need to
observe to determine when the glass has the right profile, and then advance to
the cooling and anneal phases.
Low and Slow
This last way of reducing the possibilities of bubbles
rising through toward the top is based on the characteristics of glass. As glass becomes hotter, it becomes less
viscous and so allows the air to rise toward the top of the glass surface. Using a low temperature gives a more viscous
glass to resist the bubble movement. The
long soak at the chosen lower temperature allows the surface of the glass to
take up the profile you want, as the surface is hotter than the bottom of the
glass, therefore reducing the possibilities of bubbles rising. It does take a longer soak at the
top temperature, but it also reduces the marking on the bottom of the piece.
This low temperature process is using the principles of heat work. The effect on the glass is a combination of temperature and
time. The higher the temperature, the
less time is required. The longer the
time, the less heat is required. The
heat work put into the glass to achieve the effect you desire is determined by
the combination of temperature and time used in firing the glass. This principle of heat work is why you can
achieve the same effect at very different temperatures, depending on the length
of time a piece is soaked.
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