Tuesday, 10 January 2012

Light Box

Light boxes are in many ways a development from the glass easel. These were used in studios to wax up the painted glass and display it as it would be seen in a window. Sometimes the glass painters painted across all the glass at once, so this method enabled them to see the results immediately.


Nowadays people tend to use back lighting for these and other purposes, so the light box has become more popular. Some of the uses are outlined here:

The light box is very useful when tracing or altering designs. The back lighting enables you to use other paper than tracing papers to transfer the design elements. You can fold the paper along the lines of symmetry to check on how the lines match, or to copy the lines from one side onto the other side at the designing and cartoon stages.

The light box can help select glass colours either initially or when the main pieces have already been established. The combination of the glass over light shows how they interact with each other. At later stages when the main glass is cut, it can help avoid unwanted bright or dull areas.

Possibly the most common use is in cutting dark or opalescent glass. The additional light allows you to see the cartoon through the glass and so cut directly from the cartoon. This can be enhanced by blanking out the excess light from around the glass or cartoon.

The light box enables the arrangement of the cut glass pieces to be assembled to view the colour balance and have a virtual view of how the panel or window will look as a finished piece. An additional step toward the result is gained if each piece is outlined in white-board markers – use black pens - to represent the lead or copper foil and their widths. This stops the light between the pieces from causing you pupils to contract, and gives a more accurate representation of the appearance of the final pane.  White-board markers can just be wiped off the glass without using spirits.

The light box is important in painting. The back lighting shows the effect of the painted line or level of shading immediately. This allows adjustments to be made quickly and accurately before firing,

Depending on how the light box is built, it also can be used as display lighting. This can be as up-lighting or backlighting.

Additional notes:
Light box requirements
Flexibility
Top surfaces
Lighting

2 comments:

  1. Hi, Stephen,
    Thanks for the blog about light boxes. I rate mine as one of the most useful tools in my shop. Might I add two comments?

    Having a pattern under the glass allows you to be very specific when selecting the portions of a sheet of opalescent or streaky cathedral for flow, shading, texture and color.

    When using a light box for color selection, it’s important to use the correct type of light bulb. If you are selecting for a lamp, use the same bulb type which will be used in the finished lamp; when selecting for a window, find a good daylight bulb for your glass selection. I think most folks also use actual daylight for evaluating glass for windows; I know I do.
    - Tod

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  2. Light boxes are a great tool. I use them a lot and found out the hard way about type of bulb to use. Soft white will give a yellow tint to your pictures. Daylight bulbs are sometimes hard to find but are worth the search.

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