The second stage is to get the design onto the prepared mould and make adjustments to give a balanced and pleasing appearance
Trace the pattern onto the template
Take your design elements and trace them onto the masking tape on the form. The use of carbon paper enables you to put the design element and trace right on top of the taped mould so that the image is transferred onto the tape.
An alternative method is to use a pounce wheel to perforate the design element. The element is placed on the form and dusted along the perforated line with a bag of dark coloured powder such as powdered poster paint. This will leave a temporary trace on the form that can be changed easily, but needs to be pencilled in before too much other work smudges the shape.
Do this tracing with each design element, flipping and rotating them around so that you don't repeat any element exactly. Fill up major sections of the form using this method. Drawing the main feature first and filling with the minor elements helps provide a pleasing composition.
Fill in blank areas
Now that the key design elements are onto the masking tape template, create background pieces by linking your design elements. Use pencil, since you will probably need to do corrections. Remember, avoid creating large horizontal pieces. Larger vertical pieces are usually better. However, try to keep all the pieces of similar size.
Correct any pieces and number them
Once you are satisfied with the design, go over every line with a fine felt tip pen or other ink pen so that each is clear and distinct. Number each piece and mark colour and glass textures as necessary.
Based on work by Christie A. Wood, Art Glass Ensembles
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