Showing posts with label Kiln furniture. Show all posts
Showing posts with label Kiln furniture. Show all posts

Tuesday 25 September 2012

Fibre Board for Kiln Shelves


Some advantages of fibre board:

  • It is light weight making it easy to move.
  • Fibre board has very good cooling characteristics as it doesn't hold the heat the same way a mullite shelf does.
  • The board is fragile, but with care can last years.
  • Fibre board shelves do not thermal shock as ceramic based shelves can.

Considerations for use:
  • If it will be moved it needs hardening.
  • It needs repeated sanding and hardening for a really smooth surface. Alternatively you can smooth on something like batt/kiln wash or alumina hydrate for each firing.
  • It needs to be supported on kiln posts at 100 mm intervals.

You need to use dust masks when ever working with fibre board.

Some disadvantages of fibre board:
  • The board can warp over time even when supported every 100 mm.
  • The board will warp over time if placed on the kiln floor.
  • The board needs to be thick - at least 25mm, thicker for larger kilns.
  • It can't be scraped clean of batt/kiln wash.
  • Ceramic fibre board is possibly not much cheaper than mullite shelves.

Thursday 5 July 2012

Thick Uneven Pieces

Occasionally fused pieces come out of the kiln with one side thicker than the other. There are several things that need to be done for the present piece and for the future.


Level
First check how level your kiln is. The best for this is to begin with a check of the bed of the kiln. Check the level in four directions – left-right, front-back and the diagonals. If it is practical, wedge up the legs of the kiln to make the bed of the kiln as level as practical.
Then check how level your shelf is. Put in your shelf supports and then place the shelf on them. Again check with a spirit level the four directions. Place pieces of fibre paper under or on top of the supports to level the shelf. It is only after these checks have been made that you can consider firing your piece to help it return to an even thickness.  As part of your kiln maintenance you should check the level of your shelf at least monthly, if not every time you prepare to fire.
Variation in Thickness
Now that you know the shelf is level, you need to consider what the variation in thickness across the piece may be. The firing schedule needs to be more conservative than just for the thickest part. As the thinner parts will heat through more quickly than the thickest parts, you need to fire less quickly than you normally would for the thickest area. A rule of thumb – not always correct of course – is to add the difference of the thick and thin areas to the thicker and fire for that calculated thicknesses. This will make the firing schedule slower and so allow the thicker part to be the same temperature as the thinner. For example, a piece 6 mm at one side and 10 mm the other would have a difference of 4 mm. Add this 4 mm to the thicker 10 mm and then fire for 14 mm.
Temperature and Soak
You also need to consider the top temperature to use and the length of soak required. Glass flows relatively slowly at kiln forming temperatures. The conservative approach – one that allows further work if necessary – is to use the previous fusing temperature and extend the soak by at least twice the length of time on the previous firing, even perhaps to a couple of hours.
Bubbles
One thing that will happen is that the bubbles that previously were near the surface will rise and burst giving pin holes on this extended soak. So you should consider cleaning the bottom and putting the top face down on a separator between the shelf and the glass.   This will reverse the direction of flow for the bubbles. Few if any will break through the new top and there should be no pin holes when flipped.
Further Firings
When the piece is cool, check it for the even-ness of the piece all around. If it is not even enough, you will need to consider re-firing again. If you decide to do so, you should go no faster than the rate of advance as previously – probably even slower - but consider raising the temperature or extending the soak. Remember that achieving the heat work required at the lowest temperature is the guide line for kiln forming. So an extended soak should be preferred over a higher temperature, unless there are strong indications that a higher temperature is required.
Fire Polishing
Of course, you will now need to throughly clean the face down side and re-fire to fire polish the original top. The rate of advance should be the same or slower than the firing to even the thickness. Once you have achieved about 600C, a soak of about 30 minutes will ensure that the glass is thoroughly heated through. Then you can advance at a quick rate to the fire polish temperature with a soak of no more than a minute. This allows the surface to change without giving the rest of the glass time to begin to move.  Of course, a thorough annealing is required.


This procedure for re-firing  can be used when re-firing pieces for any reason. You only need eliminate the considerations on the uneven thicknesses.

Monday 26 December 2011

Kiln Furniture

You do not have to buy all your kiln furniture. Any refractory material – any heat resistant material that will stand up to the forming temperatures – that you have from broken shelves or used material will do.
The advantage to home made kiln furniture is that you can have exactly the shape you want. There are a number of possibilities.


Example of broken shelves

 Broken kiln shelves can provide supports and dams. They can be cut with a tile saw to give long strips that can be used as dams. Smaller squares and rectangles can be stacked to give height to other supports for the glass.

Cutting a shelf with a hand saw
25mm vermiculite board

Vermiculite in the form of a pressed board provides a medium strength kiln furniture. It can be cut with a wood saw, although it dulls cutting tools quickly. The board can also be carved with wood working tools although it is very abrasive, requiring tools to be sharpened before use on wood again.

25mm ceramic fibre board

Fibre board is not as strong or rigid as kiln shelves and vermiculite are, but is much more adaptable to curves and undulations. They can be cut with a knife and used with or without hardener – colloidal silica. If the hardener is used some kind of separator will be required to keep the glass from sticking. Dust masks are required for working with ceramic fibres.



Soft fire brick

Soft fire brick can be cut with a hand saw into many shapes and and sizes. They are suitable as supports and braces for dams.  There are also higher density bricks that are much heavier to resist the movement of dams.



3mm fibre paper

Fibre paper can be cut and stacked to provide shims to level shelves and moulds. Shapes can be cut into stacked layers of the material to provide dams for irregular shaped projects.